#Serious moonlight free#
Sizing up the situation, he proceeds to assault Ian and ransack the house.Some days ago i heard President Bush talking ´bout Iraq war troubles and fallen american soldiers.suddenly it was just like entering the sandman just as it happened in ´nam thirty-some years earlier, Rumsfeld seems like present day Robert Mcnamara more and more.and all this is terrible for a society and ,what is the most important thing in my opinion, the lives of soldiers, entire families and beloved friends.i read a superb quote : "the more ignorance, the more dogmatism".i think we´re settling bases of a new order in the world and it scares me.we are manipulating mass opinion thru the media controlled by major companies and government making rules and laws for these, just to think of neocon revolution (or involution).no health care, no free education,no free elections.what is happening? why can we accept this?There are so many problems which got no answers.we´re accelerating to a society conception related to " 1984", no individual ideas, a society based on a mass like a unity.no space for new ideas,society evolution,different people and different interests.i think 9/11 meant more than we could was a new Middle Age or a Fall of Roman Empire II. Louise leaves, and Ian’s cries for help are eventually heard by a sinister-looking landscaper (Justin Long) passing by the house on a lawnmower. He lands in an upstairs bathroom taped to a toilet.
Ian talks his way out of bondage only to be bopped on the head again as he is about to escape. When he comes to, she uses her wiles his favorite cookies, sexy clothes, old home movies of happier days to try to woo him back. He is planning to whisk Sara to Paris the next morning, leaving Louise the farewell letter that he was finishing when she unexpectedly barged in.Ī furious Louise bops Ian on the head with a flower pot, then ties him to a chair while he is unconscious. Her fantasy is immediately shattered when he confesses that he has fallen in love with Sara (Kristen Bell), a 24-year-old receptionist for whom the floral greeting was intended. Finding the place strewn with rose petals, she assumes that Ian has prepared a romantic welcome home. The couple’s ordeal begins when Louise, an assertive corporate lawyer and superwoman, arrives home a day early from a business trip at the country house outside New York that she shares with Ian, her husband of 13 years. Hutton), immobilized by duct tape, are held prisoner, “Serious Moonlight” has the static, claustrophobic atmosphere of a two-character play. Since much of it is set in a bathroom in which the lead characters Louise (Ms.
#Serious moonlight movie#
Although the film’s production notes maintain that the screenplay was finished at the time of her death, it doesn’t feel that way, especially when the movie ends with an abrupt thud. Shelly, who was 40, was killed in her New York apartment by a construction worker bent on robbery, and her promising career was cut short. And as its yammering stars Meg Ryan and Timothy Hutton go through the motions of trying to emulate Carole Lombard and Cary Grant, you wait impatiently for a comic spark to ignite. “Serious Moonlight” suggests an unholy, watered-down hybrid of “The Ref” and “Funny Games,” played as a chirpy screwball comedy, if you can imagine something so bizarre.īased on a screenplay by Adrienne Shelly, who wrote, directed and co-starred in the independent hit “Waitress,” it may be the year’s talkiest movie.
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